Culture

Créée par l’ONG AJDAC, Lyric’Art Media est une unité sociale de production culturelle dont le projet est la diffusion de la culture et des actions sociales innovantes destinées à révéler de jeunes artistes africains via des émissions numériques. Nous avons interrogé Sinclair F, fondateur du projet.

Danse Teké du Nord Bénin

 

Pouvez-vous nous présenter brièvement Lyric’Art Média?

Lyric’Art Média est un média numérique créé par l’ONG AJDAC et dont le but est de faire la promotion de la culture, des valeurs artistiques et des actions sociales innovantes ayant un impact positif sur les populations d’une part et sur les politiques et stratégies de développement d’autre part. Ayant lancé le projet en 2014 avec le Magazine culturel Lyric’Art, nous avons ensuite voulu toucher un peu plus notre audience d’bord en décidant la création de la Web Tv en 2016 puis cette année par la mise en place d’une unité sociale de production (Lyric’Art Production) qui vise à mieux promouvoir les talents et assurer un tant soit peu notre autonomie.

L’Artiste Togolais Kaporal Wisdom sur scène

Dans votre média, vous parlez de talents, de culture et d’actions sociales… Pourquoi vous avez choisi de traiter ces questions ?

L’ONG AJDAC est née de la nécessité d’assurer la visibilité et la promotion du tourisme et de la culture d’une part et le bien-être des populations pauvres et vulnérables d’autre part. Lyric’Art Média est donc un outil pour atteindre ces objectifs, rendre visible nos potentiels culturels et touristiques ainsi que les innombrables bonnes actions dont les impacts contribuent à créer un monde meilleur. Au Bénin comme un peu partout en Afrique, les vrais talents restent encore cachés dans nos quartiers et villages. L’absence d’action pouvant favoriser l’expression de ces jeunes talents aux fins de les promouvoir et le coût élevé des temps d’antenne sur les médias classiques constituent un blocus pour leur éclosion. De même, nous avons le souci de la promotion d’une élite culturelle responsabilisée par les valeurs positives et éducatives véhiculées par leur œuvre. Nous pensons que cette démarche pourrait aider à amener de jeunes artistes sans convictions ni éthique à améliorer leur production.

Cirque Super Acrobate de Cotonou

Y a-t-il eu en 2017 une réalisation qui revêt une importance toute particulière pour vous ?

La mise en boite de notre première émission «Santé Pour Tous», sans doute. C’était excitant ; bien sûr, j’ai réalisé plusieurs éléments audiovisuels mais pour Lyric’Art Média c’était un rêve qui prenait corps. Après les difficultés liées à la logistique (location des caméras…) et les petits soucis de lumière, son… c’était une joie pour toute l’équipe de voir éclore le fruit de nos efforts. Ce sera peut-être notre pire production mais c’était notre première émission. Vous pouvez y jeter un coup d’œil sur notre plateforme à l’adresse suivante: http://lyricartmedia.com/2017/11/19/sante-pour-tous-bientot-en-ligne/

Avez-vous un projet que vous espérez mettre en place en 2018 ?

Un studio mobile. Il s’agit d’aller à la rencontre des richesses culturelles, cultuelles et sociales les plus enfouies et / ou en voie de disparition à travers le Bénin et l’Afrique pour faire découvrir au monde ce merveilleux vivier de couleur, d’amour et de chaleur dont regorge notre continent. Pour ce projet nous avons besoin de partenaires et de soutiens et je serai heureux d’en avoir via Horyou qui regorge à n’en point douter de fervents défenseurs de la nature et des valeurs sociales et culturelles.

Si vous pouviez partager un message avec l’ensemble des membres de la communauté Horyou, quel serait-il ?

Il y a un proverbe Africain qui dit «une brindille ne peut soulever la poussière mais un ballais le peut». La somme des petites bonnes actions peut changer le monde, j’y crois et j’estime qu’il faut qu’on se soutienne pour offrir un monde meilleur à la postérité ! Toutefois, dépendant uniquement de l’ONG AJDAC qui elle aussi fonctionne sur fond propre depuis sa création, nos moyens limités ne nous permettent pas de répondre à toutes les sollicitations. Je profite donc de ce canal pour lancer un vibrant appel à tous ceux qui peuvent nous appuyer pour l’acquisition de caméras professionnelles, micro-ordinateurs, enregistreurs, micros-cravates… pour améliorer nos productions.

A filosofia de trabalho da ONG Frutos do Amanhã é a solidariedade humana. Com atuação em comunidades em vulnerabilidade social, a organização usa a cultura, educação, respeito e cidadania para modificar as vidas de crianças e famílias em situação de risco. Membro ativo da nossa comunidade Horyou, a fundadora da ONG Heloisa Morais falou com o nosso blog sobre suas iniciativas e planos para o futuro.

Atividade promovida pela ONG Frutos do Amanhã

Quais são as principais inspirações para o trabalho da organização?

Temos um lema que vem inspirando e servindo de mantra para que possamos seguir em frente: Educação, Respeito e Disciplina.

Quais foram os projetos mais bem-sucedidos de 2017?

Executamos vários projetos como oficina de idiomas, capacitação escolar, danças culturais, capoeira, oficinas e ballet. Posso destacar dois como os mais bem-sucedidos, que foram as oficinas de Artesanato e Geração de Renda e o Ballet Sonho de Menina.

Ballet Sonho de Menina

Quais são os principais projetos da ONG Frutos do Amanhã para 2018?

Queremos ampliar nosso projeto educativo, melhorar e ampliar nosso espaço físico e buscar apoio para poder atender a famílias que se encontram na fila de espera para participar de nossas atividades.

Que tipo de impacto a organização deseja causar para o mundo?

Transformar crianças que vivem em situação de risco em cidadãos através da educação e cultura.

Oficina realizada pela ONG

Qual a importância de participar de uma rede social do bem social como a Horyou?

Fomos convidados em 2015 pela Horyou, que nos esclareceu sobre o funcionamento da rede, e desde então estamos ativos na plataforma buscando apoio para os projetos.

Vivemos em uma era de constante transformação. Quais são as mudanças positivas que você deseja para a sua comunidade e para as gerações futuras?

Estamos em uma região carente como muitas espalhadas pelo mundo, se com nossas ações conseguirmos livrar algumas crianças do tráfico de drogas, que hoje está sendo o primeiro emprego de crianças e adolescentes, será uma grande vitória.

An exhibition inaugurated this week in Barcelona discusses the influence of human behavior on Earth and casts a different light on our world

It’s 2100 and we have a very, very different world. There is no food for all and water is an overpriced good. Lands are dry – well, not all lands. Cattle and fertile farms prosper in Siberia, Greenland or Alaska, but big parts of Latin America, Africa and Europe are now desertified. Does it sound like a nightmare or a prefiguration of the future? Or is this the beginning of the end of the world as we know it?

On Wednesday 25th of October, the «Despŕes de la fí del món» (After the End of the World) exhibition was inaugurated at the Centre of Contemporary Culture of Barcelona (CCCB), Spain with a selected audience that was invited to participate in an “Artists’ Talk”, an event whereby a number of artists shared their work and views of the world.

Iron mines in Australia. Source: Daily Overview from Benjamin Grant

Benjamin Grant, the founder of Daily Overview, a project which explores the power of high-resolution satellite photography and which made him a popular social media personality, was one of the talking artists. His idea is to offer a different perspective on our planet, either by sharing beautiful landscapes such as the Amazon rainforest and the Florida Everglades or the ugly impact of mining and of the refugee crisis worldwide. Some of his work bears a strong resemblance to that of Piet Mondrian and Ellsworth Kelly. «There is a lot of thinking behind my work. I want to raise awareness of our planet by showing how it’s changing through perspectives we can’t have in our everyday lives», he said.

The artists and expeditionists Kate Davies and Liam Young presented Unknown Fields, a nomad study that shows the shadows of the contemporary city. In their expeditions around the world, they uncover the impacts of industry and consumption on nature and human lives. The “forgotten ones” – that is the hidden workers of the fashion industry or the cargo ships that travel the world endlessly to deliver goods – are integrated with our daily lives in unexpected and surprising ways.

Unknown Fields Division Showreel 2013 from liam young on Vimeo.

The amazing transformation of Singapore is the topic chosen by Charles Lim. Using maps and telling local stories, he exposes how rapidly the landscape of his country has changed – through land reclamation from the sea, elimination of hills, and renaming islands, Singapore has lived through an intense land revolution, still ongoing.

The collective Rimini Protokoll, from Germany, shared a surprising experience with Documental Theatre. One of the ‘plays’ invited an audience of 500 people to be part of an imaginary Conference of the Parties (COP) whereby they are asked to make decisions for each country and try to reach the 2020 target on greenhouse gases emissions. It is an exercise of awareness and commitment that changes the perspective of normal citizens on climate change.

«Després de la fí del món» is an exhibition that explores Earth in 2017, a planet irreversibly transmuted into Paul J. Crutzen’s Anthropocene after many centuries of the influence of human behavior. Yet it is also an exhibition that forecasts the second half of 21st century and determines our generation’s responsibility to future generations.

Forced marriage is still an issue that affects more than 700 million women globally – a third of them are less than 18. In order to raise awareness of this issue, the UNICEF partnered with major African artists to write a song against child marriage.

In Central and Western Africa, 41% of the girls above 18 are married (illustrative photo, source: UNICEF)
In Central and Western Africa, 41% of the girls above 18 are married (illustrative photo, source: UNICEF)

In Central and Western Africa, 41% of the girls above 18 are married – in countries like Benin, one in ten girls is married under the age of 15. More than depicting a social issue, these statistics are alarming from a health care standpoint as many of these girls are not able-bodied for childbearing and could face permanent physical and psychological damage.

As part of the Zero Tolerance Campaign against child marriage that the government launched last June, nine artists from Benin committed themselves to breaking the silence around child marriage. UNICEF’s Goodwill Ambassadors Angélique Kidjo and Zeynab Abib, supported by Danialou Sagbohan, Kalamoulaï, Don Métok, Sessimè, Dibi Dobo, Norberka and Olga Vigouroux, gathered to craft a deeply moving song and a video that call the population to act.

“A little girl is still a child. She cannot be a mother or a bride. Let her grow up to live a fulfilling life. Say NO to child marriage!”; so goes the song, co-written by Angelique Kidjo and Zeynab Abib.

The artists sing in a variety of languages, including Fon, Mina, Mahi, Sahouè, Yoruba, Goun, Bariba and French in order for the message to spread throughout the country and neighbouring countries.

Artists from Benin are engaged in the cause
Artists from Benin are engaged in the cause

“The impact on these girls is terrible. Once married, they no longer go to school, they are raped, they get pregnant, which puts their health and that of their baby in danger. We artists are saying NO to all these injustices! Girls are not the property of anyone; they have the right to choose their own destinies”, says Beninese pop star Zeynab Abib, who was able to mobilise Benin’s greatest artists around this cause.

Early marriage prevents girls from getting proper education and leads them to poverty, while enforcing the prevalence of traditions and belief systems that are tied to the continued practice of child marriage.

“We need all the strength and weapons we can muster to fight the scourge of child marriage. Art, especially music, is a powerful weapon. As Nelson Mandela said, ‘politics can be strengthened by music, but music has a potency that defies politics’. This power must be harnessed!” says Dr Claudes Kamenga, UNICEF Representative in Benin.

Watch the video [English subtitles] [SAY NO TO CHILD MARRIAGE]1 Watch the video [French subtitles] [DISONS NON AU MARIAGE DES ENFANTS]2

Horyou is the Social Network for Social Good, which connects, supports and promotes social initiatives, entrepreneurs, and citizens who help the implementation of the Sustainable Development Goals to build a more harmonious and inclusive world. We invite you to Be the Change, Be Horyou!

Fundada em 1985, a Casa Pequeno Davi é uma organização incansável no compromisso com crianças e adolescentes em vulnerabilidade social e em situação de rua. Desde os anos 1990, o trabalho social realizado na capital da Paraíba, João Pessoa, vem se ampliando para atender ao entorno familiar de crianças e adolescentes, atuando também em escolas do bairro do Roger, onde funcionava o lixão metropolitano, e também no estado do Ceará. Hoje, a Casa Pequeno Davi é uma organização que atua nos espaços de formulação de políticas públicas (conselhos, fóruns e redes), conquistando parcerias ao longo do tempo e conquistando a credibilidade da comunidade e da sociedade em geral. Leia mais sobre esse membro ativo da nossa plataforma Horyou!

A Casa Pequeno Davi promove atividades de apoio a crianças e adolescentes na Paraíba e no Ceará
A Casa Pequeno Davi promove atividades de apoio a crianças e adolescentes na Paraíba e no Ceará

Quais são as principais inspirações para o trabalho da Casa Pequeno Davi?

A defesa dos direitos, o respeito à pessoa humana, a ética, a responsabilidade, a transparência, participação, a igualdade e a democracia plena.

Que tipo de impacto a organização deseja causar no mundo?

Uma sociedade justa e responsável, onde os direitos humanos, sobretudo de crianças e adolescentes, sejam respeitados e efetivados.

De que forma as redes sociais e a tecnologia influenciam no dia a dia da organização?

Maior visibilidade da organização por parte da sociedade em geral, possibilitando novas parcerias. Ainda com a possibilidade de inserção do público (crianças, adolescentes e familiares) na chamada inclusão digital por meio dos cursos, oficinas oferecidos pela instituição por meio das parcerias.

Quais foram as principais evoluções da atuação da organização em relação à comunicação e as novas tecnologias?

Visando ampliar sua visibilidade, a organização investiu na comunicação, utilizando todos os meios de comunicação possíveis (site, blog, redes sociais, campanhas e materiais impressos). Hoje, a Casa Pequeno Davi é uma organização de referência na área defesa dos direitos humanos, em especial de crianças e adolescentes no Estado da Paraíba.

A organização faz parcerias para promover atividades variadas com as crianças
A organização faz parcerias para promover atividades variadas com as crianças

Qual a importância de participar de uma rede social do bem social como a Horyou?

No mundo globalizado, a participação em uma rede social com a amplitude da Horyou, é de fundamental importância para ampliar a escala da visibilidade institucional. A conexão com outras organizações, o compartilhamento dos objetivos e das ações fortalece a metodologia do trabalho para o alcance da missão.

Vivemos em uma era de constante transformação. Quais são as mudanças positivas que você deseja para a sua comunidade e para as gerações futuras?

Acreditamos que, em primeiro lugar, precisamos de uma consciência ambiental globalizada porque as gerações futuras dependem do nosso comportamento atual. Não é mais possível conviver com o desrespeito em todos os níveis, seja entre as pessoas, seja com o ambiente em que vivemos.

Estamos contribuindo para a formação cidadã de crianças e adolescentes que são prioridade absoluta, de acordo com o Estatuto da Criança e do Adolescente. Esse público precisa ter seus direitos efetivados na prática para que possam ter melhoria na qualidade de vida e um amanhã diferente.

A Horyou é a rede social do bem social. Conectamos e apoiamos iniciativas sociais, empreendedores e cidadãos que promovem a implementação dos Objetivos de Desenvolvimento Sustentável da ONU, para que possamos construir um mundo mais harmonioso e inclusivo. Seja a mudança, seja Horyou!

What do alternative sources of energy, cooking workshops and a virtual reality device to make people feel like refugees have in common? Cultural innovation and the will to change positively the world we live in. Last month, the Center for Contemporary Culture in Barcelona hosted a round of conferences and a prize for social innovation, gathering specialists in such topics as sustainable cultural management and climate change in a two-day row of interesting debates about the challenges of our times.

Cultural Innovation International Prize
Cultural Innovation International Prize

The pannels started with Laura Pando, an experienced cultural manager who strives to help the cultural sector to adopt more sustainable practices. In the last 10 years, Laura helped museums, music festivals and governments to opt for clean energy solutions, calculate their carbon footprint and develop leadership in the industry. «In a recent poll, we discovered that 50% of people don’t remember ever having a conversation about climate change. Art and culture have a great responsibility on promoting this debate. If we don’t talk about it, it won’t exist in people’s minds», she said.

The following conference was presented by Laura Faye Tenembaum, science senior editor for NASA’s Jet Propulsion Lab. In a passionate talk, she engaged the audience on the idea that climate change is a «fascinating challenge». «You can’t see countries’ political divisions or boundaries from the space. We’re all facing the climate change and have to work together», she said. Laura warned that the effects of carbon pollution might be invisible on earth but are becoming more visible from space. Climate change, she says, is not a topic of the future. It’s already been happening for decades now and affecting our daily lives. «We need to transform how we live. Society is resistent to change, and has a negative feeling about it. I dare you to face the challenges as exciting”, she concluded.

Laura Faye Tenembaum
Laura Faye Tenembaum

Laura Tenembaum was also a member of the jury for the Cultural Innovation International Prize. In its second edition, the competition gathered 228 projects from 59 countries, mainly developed by young researchers, artists and entrepreneurs. The 10 finalists presented their projects in Barcelona and the winner was The Newton Machine, a battery prototype that stores renewable energy using gravity. The prize also gave an audience award to Neighbourhood Upcycling, a locally based project for plastic recycling that can be replicated to promote circular economy worldwide.

The jury gave a special mention for the project Ode for the Future, which used art, installation, and performances to show the effects of climate change in six geographic spots from Catalonia, Spain. All the projects, though, had the opportunity to be presented to a broader audience and to create an impact – the finalists received feedback from the jury, as well as ideas to put into practice.

The projects were exposed at the Centre of Contemporary Culture in Barcelona
The projects were exposed at the Centre of Contemporary Culture in Barcelona

Click here to read more about the 10 finalists and the Cultural Innovation International Prize. (in Spanish)

Horyou is the Social Network for Social Good, which connects, supports and promotes social initiatives, entrepreneurs, and citizens who help the implementation of the Sustainable Development Goals to build a more harmonious and inclusive world. We invite you to Be the Change, Be Horyou!

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